Another queer film set against the backdrop of religion, Mysterious Ways offers a fresh and unique conflict. Unlike many others, the focus here is on the internal struggles that a gay couple faces, both with themselves and each other, before they even begin to confront the challenges that society imposes on them. In an era where lawmakers and religious groups are debating queer rights across the globe, this film thoughtfully explores the complex relationship one can have with organized religion, faith, and queerness in general.
The story revolves around Peter, an English Vicar now serving in New Zealand. Once happily married, Peter has an adult daughter. After the death of his wife, Peter finds solace in meeting Jason, who was incarcerated at the time. Before Jason entered his life, Peter had never really considered his own queerness. But Jason brought a love into Peter’s life that was unexpected and transformative, and the two eventually became a couple, gaining the knowledge and support of those around them. Jason runs a youth center, helping troubled teens find their way. However, when Peter and Jason decide they want to marry in front of God and their loved ones in a church, the real conflict begins. Peter proposes this idea to the church, only to face vehement rejection. The situation soon becomes a media spectacle, and Peter and Jason are thrust into a tense public frenzy. Peter, eager to use his position and the newfound media attention, seeks to push for change within the church regarding the acceptance of queer individuals. Jason, however, isn’t as enthusiastic about this. Amid the tension, Jason’s nephew, Billy, arrives from Australia. Billy, like a guardian angel, works tirelessly to mend the rift between the two men. Billy’s presence also introduces a cultural aspect—representing the Fa’afafine identity (a non-binary role within Samoan culture). This identity transcends traditional gender roles, as Fa’afafine are neither raised as boys nor girls. Through Billy’s presence and actions, the couple faces personal struggles, including a brief breakup. It is during this time that Billy plays a pivotal role in healing the rift between Peter and Jason. By the end, Peter and Jason reconcile, and Billy leaves, his work complete.
At first glance, one might assume this film would be another exploration of the church’s opposition to gay marriage, but the film keeps things much more intimate and focused. Rather than engaging in large-scale confrontations with church authorities, we witness the slow, internal unraveling of Peter and Jason’s relationship. Insecurities, unexpected homophobic attacks, sudden financial roadblocks, and a media frenzy all take their toll on the couple. The subplot involving Billy is a game-changer, and it’s not until the film’s conclusion that the true significance of this character—and the title—becomes clear. The actor portraying Billy adds charm and a touch of queer magic, lifting the film beyond the typical LGBTIQ+ narrative. Billy’s presence brings an unexpected and welcome shift, moving the story away from standard homonormativity.
The film is a candid exploration of reconciliation, compromise, faith, and LGBTIQ+ individuals navigating their sexuality within the confines of religion. However, certain scenes happen so abruptly that they lack the depth they could have had—such as Jason’s decision to break up with Peter, Peter’s sudden choice to leave the church, or even the eventual reconciliation between them. Despite these rapid transitions, the film does offer a compelling view of the uneasy compromises that occur when sexuality and faith collide, and how communities react to such situations. The acting is strong, particularly from the leads—Peter and Jason, who make for an incredibly attractive and well-matched couple. Overall, this is a decent and poignant drama that touches on themes of love, faith, religion, social scrutiny, and the mystery of angels.
